The new Third Edition rolled off the presses February 2017.
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Sample Materials & Chapters
Chapter 1
Chapter 16
The Table of Contents:
CHAPTER 1. AIM FOR THE HEART
Can Great Storytelling Make You Sexier? |
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All That Is Great, But I’m on a Deadline |
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Finding Focus: Aim for the Heart of the Story |
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Use Sound Bites That Connect to The Viewer’s Heart |
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CHAPTER 2. THE SHAPE OF THE STORY
Stories Need Surprises: Give Viewers Gold Coin Moments |
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Story Frames: Structure and Restructure |
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The Big Close: Resolve the Story |
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Sentences Have Shapes, Too: Power at the End |
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CHAPTER 3. FIND MEMORABLE CHARACTERS
Put a Face on the Story: You Remember What You Feel |
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Little Pictures, Big Stories: Focus on People, Not Events |
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How Many Characters Do You Need in a Story? |
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CHAPTER 4. WRITE INVITING LEADS
First Impressions: Get Them Hooked |
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Some Do’s and Don’ts for Leads: Don’t Stall; Get On With It |
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Kill the Clichés: Especially the Clichés of Thought |
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CHAPTER 5. VERBS AND ADJECTIVES
The Thing About “ing”: A Passive, Verbless Style |
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“To Be” or Not “To Be”: Verbs Drive Sentences |
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Avoid “Fantastic, Unbelievable, Gut-Wrenching” Subjective Adjectives |
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CHAPTER 6. THE ART OF THE INTERVIEW
Learning to Listen: Using Your Ears More Than Your Mouth |
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Interviewing Reluctant Sources: Explain the Rationale |
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Interviewing Juveniles and Other Vulnerable People |
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A Few Interviewing Don’ts |
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CHAPTER 7. WHY PICTURES ARE SO POWERFUL
A Little Bit of Visual Theory |
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The Fannie Lou Hamer Story |
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CHAPTER 8. THE VITAL ROLE OF LIGHTING
Lighting Sets an Editorial Tone |
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Construct the Light and Go for the Shadow Side |
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In Bright Sunlight Add Light |
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CHAPTER 9. VIDEO AND VISUAL TECHNIQUES
Let’s Get Visual: Capturing Compelling Video |
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Principles and Techniques for Photographic Objectivity |
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Special Effects Are “Special”: Use With Care |
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CHAPTER 10. CAUTION, THIS MAY GET GRAPHIC: THINKING VISUALLY
Think “Shapes”: A Checklist for Effective Graphics |
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Get It Right: Graphics Are Precision Work |
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CHAPTER 11. THE SOUND OF THE STORY
Ethical Concerns With Adding Music and Sound Effects |
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Do Not Rearrange Audio or Sound Bites |
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CHAPTER 12. WHAT EVERY JOURNALIST SHOULD KNOW ABOUT GUNS, AMMUNITION AND ARMED VIOLENCE
What Is a Caliber/Gauge and Why Does It Matter? |
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CHAPTER 13. FIELD TRICKS FROM THE PROS
First Things First in the Field |
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Assessing Threats and Staying Safe |
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CHAPTER 14. TELL THE STORY WITH SOCIAL MEDIA AND ONLINE
Why Online and Social Media Are Important to Local TV |
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Reporting and Writing for Online |
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Ethics and Social Networks |
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Online Skills You Need to Get Hired or to Keep Your Job |
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CHAPTER 15. ETHICS AND BROADCAST JOURNALISTS: SEEK TRUTH AND REPORT IT AS FULLY AS POSSIBLE
Seek Truth and Report It as Fully as Possible |
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Who Said That: Evaluating Sources for Your Stories |
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Be Honest With Viewers About Your Reporting and Your Mistakes |
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Attack Dogs, Watchdogs and Guide Dogs: A Journalist’s Commitment to Seeking Truth |
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File Tape: Truthful Reporting or Lazy Journalism? |
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CHAPTER 16. ETHICS AND BROADCAST JOURNALISTS: ACT INDEPENDENTLY
Avoid Conflicts of Interest |
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CHAPTER 17. ETHICS AND BROADCAST JOURNALISTS: MINIMIZE HARM
Rights to Privacy for Private People and Public Officials |
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Covering Criminals and Criminal Acts |
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Identifying Suspects, Covering “Off-Limits” Stories and Other Tough Ethics Calls |
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Questions Before You “Go Live” |
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CHAPTER 18. LET’S GET CRITICAL
Critical Thinking and Polling |
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Using Critical Thinking to Investigate Charities |
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Al Gets Duped: Be Skeptical |
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CHAPTER 19. THE POWER OF ENTERPRISE REPORTING
Enterprise From the Start: Morning Meetings |
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How to Generate Enterprise Stories |
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Look for the Story Behind the Story |
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CHAPTER 20. SURVIVING AND THRIVING IN TODAY’S TV NEWSROOM
Surviving Layoffs, Cutbacks and Reassignment |
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Avoid Office Gossip and Politics |
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INDEX
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