The new Third Edition rolled off the presses February 2017.
Order it from Amazon
Sample Materials & Chapters
Chapter 1
Chapter 16
The Table of Contents:
CHAPTER 1. AIM FOR THE HEART
| Can Great Storytelling Make You Sexier? |
|
| All That Is Great, But I’m on a Deadline |
|
| Finding Focus: Aim for the Heart of the Story |
|
| Use Sound Bites That Connect to The Viewer’s Heart |
|
CHAPTER 2. THE SHAPE OF THE STORY
| Stories Need Surprises: Give Viewers Gold Coin Moments |
|
| Story Frames: Structure and Restructure |
|
| The Big Close: Resolve the Story |
|
| Sentences Have Shapes, Too: Power at the End |
|
CHAPTER 3. FIND MEMORABLE CHARACTERS
| Put a Face on the Story: You Remember What You Feel |
|
| Little Pictures, Big Stories: Focus on People, Not Events |
|
| How Many Characters Do You Need in a Story? |
|
CHAPTER 4. WRITE INVITING LEADS
| First Impressions: Get Them Hooked |
|
| Some Do’s and Don’ts for Leads: Don’t Stall; Get On With It |
|
| Kill the Clichés: Especially the Clichés of Thought |
|
CHAPTER 5. VERBS AND ADJECTIVES
| The Thing About “ing”: A Passive, Verbless Style |
|
| “To Be” or Not “To Be”: Verbs Drive Sentences |
|
| Avoid “Fantastic, Unbelievable, Gut-Wrenching” Subjective Adjectives |
|
CHAPTER 6. THE ART OF THE INTERVIEW
| Learning to Listen: Using Your Ears More Than Your Mouth |
|
| Interviewing Reluctant Sources: Explain the Rationale |
|
| Interviewing Juveniles and Other Vulnerable People |
|
| A Few Interviewing Don’ts |
|
CHAPTER 7. WHY PICTURES ARE SO POWERFUL
| A Little Bit of Visual Theory |
|
| The Fannie Lou Hamer Story |
|
CHAPTER 8. THE VITAL ROLE OF LIGHTING
| Lighting Sets an Editorial Tone |
|
| Construct the Light and Go for the Shadow Side |
|
| In Bright Sunlight Add Light |
|
CHAPTER 9. VIDEO AND VISUAL TECHNIQUES
| Let’s Get Visual: Capturing Compelling Video |
|
| Principles and Techniques for Photographic Objectivity |
|
| Special Effects Are “Special”: Use With Care |
|
CHAPTER 10. CAUTION, THIS MAY GET GRAPHIC: THINKING VISUALLY
| Think “Shapes”: A Checklist for Effective Graphics |
|
| Get It Right: Graphics Are Precision Work |
|
CHAPTER 11. THE SOUND OF THE STORY
| Ethical Concerns With Adding Music and Sound Effects |
|
| Do Not Rearrange Audio or Sound Bites |
|
CHAPTER 12. WHAT EVERY JOURNALIST SHOULD KNOW ABOUT GUNS, AMMUNITION AND ARMED VIOLENCE
| What Is a Caliber/Gauge and Why Does It Matter? |
|
CHAPTER 13. FIELD TRICKS FROM THE PROS
| First Things First in the Field |
|
| Assessing Threats and Staying Safe |
|
CHAPTER 14. TELL THE STORY WITH SOCIAL MEDIA AND ONLINE
| Why Online and Social Media Are Important to Local TV |
|
| Reporting and Writing for Online |
|
| Ethics and Social Networks |
|
| Online Skills You Need to Get Hired or to Keep Your Job |
|
CHAPTER 15. ETHICS AND BROADCAST JOURNALISTS: SEEK TRUTH AND REPORT IT AS FULLY AS POSSIBLE
| Seek Truth and Report It as Fully as Possible |
|
| Who Said That: Evaluating Sources for Your Stories |
|
| Be Honest With Viewers About Your Reporting and Your Mistakes |
|
| Attack Dogs, Watchdogs and Guide Dogs: A Journalist’s Commitment to Seeking Truth |
|
| File Tape: Truthful Reporting or Lazy Journalism? |
|
CHAPTER 16. ETHICS AND BROADCAST JOURNALISTS: ACT INDEPENDENTLY
| Avoid Conflicts of Interest |
|
CHAPTER 17. ETHICS AND BROADCAST JOURNALISTS: MINIMIZE HARM
| Rights to Privacy for Private People and Public Officials |
|
| Covering Criminals and Criminal Acts |
|
| Identifying Suspects, Covering “Off-Limits” Stories and Other Tough Ethics Calls |
|
| Questions Before You “Go Live” |
|
CHAPTER 18. LET’S GET CRITICAL
| Critical Thinking and Polling |
|
| Using Critical Thinking to Investigate Charities |
|
| Al Gets Duped: Be Skeptical |
|
CHAPTER 19. THE POWER OF ENTERPRISE REPORTING
| Enterprise From the Start: Morning Meetings |
|
| How to Generate Enterprise Stories |
|
| Look for the Story Behind the Story |
|
CHAPTER 20. SURVIVING AND THRIVING IN TODAY’S TV NEWSROOM
| Surviving Layoffs, Cutbacks and Reassignment |
|
| Avoid Office Gossip and Politics |
|
INDEX