The links below take you to what you need to accomplish the video’s recommendations.
This Dr. Scholl’s product is cheap and helps create separation between costume and microphone, avoiding that muffled scratchy sound you’ve inevitably picked up before.
For sticking the mic securely on the talent, Harrod recommends this easy-to-use pain-free adhesive.
This tiny dead cat is perfect for preventing rustles and scratches from clothing. These are crucial when the talent is wearing multiple layers of clothing.
Hiding in the Hair
Working with spaghetti straps and tank tops can be a challenge. Harrod suggests trying to hide the mic on the sternum or in the cleavage. And if that doesn’t work? Try hiding the mic in the hairline!
Taping the mic on the sternum, in between the buttons of the shirt, should guarantee security and quality audio. However, if a tie is being worn, consider placing the mic in the knot of the tie instead of on the sternum.
Sew the Mic In
For narrative endeavors, never rule out extensive pre-production with your costumes. Harrod dives into the possibilities of sewing the mic into the fabric and how beneficial this strategy can be.
Though it might seem obvious, anytime a subject wears a helmet, you’ve got a clear shot for good audio. The helmet will provide a great place to attach our mic with little to no chance of being seen.
Ditching the Lav
It’s inevitable. Sometimes wardrobe and audio just aren’t going to work well together. When in doubt, get the boomout.
Consider the Camera
This might seem like the most obvious hint, but always mind the camera’s blocking and position at all times. A receiver sticking out at the bottom of the screen is never a good look.